アーティストだって生身の人間、人前に出る分むしろ、感情の振れ幅は大きいだろう。
感情が豊かだからこそ、表現したいものも多いはず。
加えて、現実に向き合う深い思考と、表現能力。
二刀流は大谷翔平選手の専売特許じゃないね。
業界裏話を含め、楽しめた。
そして、やっぱり想像しちゃう、藤井風さんのこと。
彼のライブチケットは毎度争奪戦ではあるけれど、内心では不安だったり疑問だったりがあるんじゃないかな。
真摯に向き合えば向き合うほど、エゴサーチだって、そりゃ、したくなるよ。
プレミアを自分でコントロールできるとしたら、近道の方を選びたくなる人はいっぱいいるだろうね。
赤裸々な描写に、尾崎さんの覚悟を感じた。
I read CreepHyp's Ozaki Sekaikan's "Ten no Koe".
Artists are human beings too, and when they appear in front of people, their emotional range is probably larger.
He has a wealth of emotions, so there must be a lot he wants to express.
In addition, he has the deep thinking and expressive ability to face reality.
Two-way play is not an exclusive right of Shohei Otani.
I enjoyed it, including the behind-the-scenes industry stories.
And I can't help but imagine Fujii Kaze.
Tickets to his concerts are always in a scramble, but deep down he must have worries and doubts.
The more seriously you take your work, the more you'll want to do ego-searching.
If you could control your own premiere, I'm sure there are many people who would choose the shortcut.
I felt Ozaki's determination in his frank description.
