これはつまり、
落ち目のロック野郎が女と無銭宿泊ア～ンド飲食で逃走中に、指名手配の本物の悪人の逃走を手助けした挙句に車を盗られて、自分たちだけ捕まるという、7～８０年代にありがちな(？)しょーもない話でいいかな。
"Casket Girl"の曲調が、まんま時代をさかのぼって、あーあの頃は怖いもんなんかなかったって思い出させるような。
すべてがまだアナログで、ギラギラ光るイミテーションをまとった薄っぺらくも濃厚な時代感。
コンプラなんてなんのその、ショーケンと水谷豊の「傷だらけの天使」とか武田鉄矢と桃井かおりと高倉健の「幸福の黄色いハンカチ」なんかに通じる世界観。
これを今やってカッコイイって、どゆこと？
ホントに藤井風さん、何周目なん？
最後のお掃除ショットがオチになってて、結局ハッピーエンドなのが彼らしい！
Basically,
I guess it's a silly story that was typical(?) of the 70s and 80s, where a down-on-his-living rock dude goes on the run with a woman for lodging and eating without paying, and then he helps a real wanted criminal get away, only to have his car stolen and end up being the only ones caught.
The melody of "Casket Girl" takes you straight back in time, reminding you that there was nothing to be afraid of back then.
It's a shallow yet intense era, when everything was still analog and clad in shiny imitations.
It's a worldview reminiscent of films like "Scarred Angel" starring Shoken and Yutaka Mizutani, or "Yellow Handkerchief of Happiness" starring Ken Takakura, Tetsuya Takeda, and Kaori Momoi, when noboby said about compliance or anything.
What do you mean it's cool to do this now?
Seriously, Fujii Kaze, how many times have you been through life?
The punchline is the shot of him cleaning up at the end, so it's typical of him that it has a happy ending!
