ありがとう、山田智和監督

はい、観てきましたぁ、映画”四月になれば彼女は”

 

ずっずダイアリーを読んだ時、”絶対一人で、一番後ろのシートに座ろう”と決めていた。

正解だった。

頭を動かさずに頬にハンカチを当てるとか、後ろの人の気配とか、気を使いながら映画観るのイヤだからね。

シネコン自体には大勢人がいたけど、”四月になれば彼女は”は200人くらい収容のホールに30人程度だったので、狙ったシートをとることができた。

 

フジとハルの青春像は、藤井風”青春病”MVとかぶるところがかなりあった。

バイク(自転車)の2ケツとか、雨に濡れるシーンとか。

 

そして、エンドロールに聴き馴染んだ ”満ちてゆく” が流れると、一瞬、主役は風さんだったような錯覚を抱いた。

 

そうなる日もいつか来るかもしれない。

 

 

Yes, I watched the movie “April Come, She Will”

 

When I read the ZUZZU's diary, I decided that I would definitely sit in the last row seat by myself.

That was the right choice.

I don't want to watch a movie with worry about not to move my head brinking my handkerchief on my cheeks, or about the presence of people behind me.

There were a lot of people at the cinema complex, but there were only about 30 people in a hall that was supposed to hold about 200 people for "April Come, She Will", so I was able to get the seat I wanted.

 

Fuji and Haru's youth image overlapped quite a bit with Fujii Kaze's "Seishun Sick" MV.

Things like two butts on a bike, and scenes where they get wet in the rain.

 

Then, when the familiar song "Michi Teyu Ku" played during the end credits, I had the illusion for a moment that the main character was KAZE.

 

Maybe one day that will become true.