昨夜はやはり寝落ちしちゃったので、今日になってRadikoでダッチ監督の話を聞いた。
やっぱり藤井風さんは3年前のFreeライブをかなり意識してたんだね。
そして、どんなに有名になっても、風さんの想いは変わってないんだなぁ。
というか、風さんの考えは最初っからずっと同じなんだ。
”風よ”の前のMCで言ってたように、デビュー前の頃となーんにも変わらない気持ちを持ち続けて今も挑戦してるんだな。
あー、尊い。
ダッチ監督は、たくさんのミュージシャンと仕事をして、それぞれの想いを発想や技術で具現化させるプロフェッショナルだ。
風さんが音楽だけじゃなく、コミュニケーション能力にも長けているのを、”grace"と思う。
As expected, I fell asleep last night, so I heard Dutch's talking on Radiko today.
It seems Fujii Kaze was very conscious of the Free live show three years ago.
And no matter how famous he becomes, his feelings haven't changed.
Or rather, KAZE's thoughts have been the same since the beginning.
As he said in the MC before "Kazeyo", he still has the same feelings as before his debut and continues to challenge himself even now.
Ah, how admirable.
Dutch is a professional who works with many musicians and materializes their feelings through ideas and technique.
I think it's "grace" that KAZE is not only skilled in music, but also in communication skills.
