藤井風さんの紅白パフォーマンスが驚異的に素晴らしかったのは、たくさんの意識が一つに集中し、うまくいったきわどい例だと思う。
風さんには、そういう力がある。
ダッチ監督は入念に準備して臨むタイプだと自身でも言ってたし、それをさせるNHKの懐事情も大きな要因であることは間違いないだろう。
庶民が心配するお金の流れよりも、それによって生み出される新しい価値に目を向けることが大切だ。
一方で、星野源さんの紅白もまた素晴らしく、迫力があった。
はじめの沈黙、アコギ1本の弾き語り、終始無表情、”ばらばら”・・・・
もし、映画”四月になれば彼女は”の監督や出演者・原作者に不祥事が明らかになったとしたら、風さんのニューヨークのロケはどうなっていただろう？
Fujii Kaze's performance at Kohaku was so amazingly wonderful, it was a perfect example of many people concentrating their attention on one thing and succeeding.
KAZE has that kind of power.
Director Dutch himself said that he is the type of person who prepares carefully before going on stage, and no doubt the financial situation of NHK, which allows him to do so, is a major factor.
It is important to focus on the new value that is created by money, rather than the flow of money that worries ordinary people.
On the other hand, I think Hoshino Gen's performance at Kohaku was also wonderful and impressive.
The silence at first, singing with just an acoustic guitar, expressionless throughout, "BARA BARA"...
If a scandal had been revealed about the director, casts, or original author of the film "April Come She Will" what would have happened to KAZE's New York location shoot?
