ライヴの何がいいって、やっぱり音源と違うアドリブ感が、アレンジや息づかいで感じられること。
藤井風さんの日産スタジアムライブ”Feelin' Go(o)d"では、 フェイクのとき動画を止めると、白目剥いてる率が高くて、こっちが失神しそう。
デビュー曲”何なんｗ”につづいて、ラストの”まつり”がやはり極めつけだ。
今はもう見られない風さんのデビュー前のカヴァー動画「ホテル・カリフォルニア」でも、スタンディング・プレイの間奏中に、こんな陶酔したようなシーンがあったのを覚えている。
あの曲の怪しさを象徴している演奏として印象的だった。
音楽でその”Feelin' Go(o)d"に酔いしれる姿を私たちに見せてくれる風さんは、刺激的過ぎて怖いくらいだ。
こんなに無防備な人おる？
What's great about live performances is that you can feel a different sense of improvisation from the recordings in the arrangements and breathing.
At Fujii Kaze's Nissan Stadium live performance "Feelin' Go(o)d," if you stop the video during the fakeout, there's a high chance that he'll roll his eyes, and it feels like I’m going to faint.
The final song "Matsuri," which follows his debut song "WTF lol," is the best.
I remember there was a similarly ecstatic scene during the interlude of a standing performance in KAZE's pre-debut cover video of "Hotel California," which is no longer available.
It was an impressive performance that symbolized the mysteriousness of that song.
KAZE, who shows us how he immerses himself in the "Feelin' Go(o)d," pleasure of music, is so stimulating that it's almost scary.
Is there anyone who is this defenseless?
