生方美久という脚本家のすごいところは、ナレーションなしで状況を説明してしまう伏線仕込みのセリフ回しにあると思う。
むしろ、観ているこっちが状況説明したくなっちゃう衝動にかられる。
視聴者に語らせようとしてるよね。
それが話題性というか、視聴者心理をついていて、唸らされる。
私はドラマ”いちばんすきな花”について、共に語る相手はいないけれども、話せる人がいたならば、きっと早く会って話したいと思うに違いない。
人は答え合わせが好きだ。
それが間違い探しじゃなくて、人と違う自分を肯定する作業であって欲しい。
クイズの紙の裏に逆さまに書いてある「こたえ」は、実はそんなに重要じゃない。
さて、今夜9時、藤井風”花”のMV公開を待つ身としては、誰にも語れないこの思いを、ここで落ち着かせたい。
I think the great thing about Miku Ubukata, the screenwriter, is that she uses a few foreshadowing dailogues to explain the situation without narration.
On the contrary, I feel the urge to explain the situation as a viewer.
They'er trying to get the audience to talk.
It's topical, or rather, it's based on the psychology of the viewers, and it's amazing.
I don't have anyone to talk to about the drama "Ichibansukina Hana," but if I had someone to talk to, I'm sure I'd want to meet and talk about it as soon as possible.
People like matching answers.
I don't want it to be a matter of looking for mistakes, but rather a process of affirming myself as someone who is different from others.
The "answer" written upside down on the back of the quiz paper is actually not that important.
Well, as I am waiting for the MV for Fujii Kaze's "Hana" to be released at 9pm tonight, I would like to calm down this feeling that I cannot express to anyone.
