MUSICAとずっずダイアリーでグズグズにタワケてた私は、昨夜、仕切り直しに映画でも見ようとアマプラを開けた。
何のことはない、いきなりオススメされたのが山田智和監督の「四月になれば彼女は」で、観る以外に選択肢はなかった。
劇場でしっかり観たはずなのに、こんなシーンあったっけ、原作とこんなに違ったんだと気づいた半面、あまりにも”満ちてゆく”が馴染んでて泣けた。
ストーリーの余韻が、エンドロールにかぶさって押し寄せてくる。
潮が”満ちていく”ように。
潮の満ち干のように繰り返されるものの中で残るもの、すべてをそぎ落として残るもの、それが愛だ。
”愛を終わらせない方法”とは、"愛に気づくこと"なのではないか。
結局、また藤井風さんに翻弄される一日だった。
After being lazy and wasted away watching MUSICA and Zuzzu Diary, I decided to watch a movie last night to freshen up, so I opened Amazon Prime.
It was just that I was recommended "April come, she will" by director Tomokazu Yamada, so I couldn't resist watching it.
I was sure I had seen it at the theater, but I realized that this scene was there, and that it was so different from the original, and at the same time, I cried because "Michi Te Yuku" was so familiar to me.
The aftertaste of the story overflows and comes rushing in through the end credits.
Like the tide "Overflowing".
What remains in the midst of things that repeat like the ebb and flow of the tides, what remains even after everything has been stripped away, is love.
Perhaps the "way to keep love from ending" is "to recognize that love."
In the end, another day at the mercy of Fujii Kaze.
