藤井風さんのEUROPE TUORは、既存曲のアレンジが効きまくって、今までよりアダルティだ。
フェイクもより豪華で、とてもピアノ弾きながらとは思えないクオリティ。
サックス演奏してる時と、”grace"のラストのダンスと”Hachikō”以外、ずっとピアノ弾いてたんじゃないかな
なんならMCだって伴奏つきなんだから、贅沢この上ない。（MAJの菅田さんのセリフが蘇る。）
中でも5曲目の”きらり”はREBORNと言ってもいいくらい。
”Prema"の新曲も楽しみだけど、今はアレンジですでに胸がいっぱいだ。
消化するのに時間が欲しい。
赤いランジェリーの扱いが絶妙なのは、お姉ちゃんたちの洗礼を受けているからということで。
Fujii Kaze's EUROPE TUOR was more adult than ever, with the arrangements of existing songs being very effective.
The fakery was also more luxurious, and the quality was such that it was hard to believe he was playing the piano.
I think he was playing the piano the whole time, except for when he was playing the saxophone, the dance at the end of "grace" and "Hachikō".
Even the MC was accompanied by music, so it was the ultimate luxury. (Mr. Suda's words from MAJ come back to me.)
Among them, the fifth song, "Kirari", could be called a reborn.
I'm looking forward to the new songs of "Prema", but the arrangements are so overwhelming right now.
I need some time to digest it.
The way he handles that red lingerie is exquisite, because he was baptized by his older sisters, I suppose.
